Common Mistakes Found in Manuscripts: The Endangered Apostrophe

Posted By The Queen Of English on January 26, 2010

As a proofreader for Black Velvet Seductions, I have read several entertaining and thought-provoking stories over the past six months. I have also found some common mistakes in apostrophe use, comma use, and in dialogue in these manuscripts. It’s a well-known fact: if two writers submit well-written stories to a publisher, the writer with the more polished manuscript in the mechanics of writing has a better chance of receiving a contract than the writer who has many errors in punctuation, grammar, and spelling in her manuscript.

My writer friends ask me questions about punctuation, grammar, and usage for the same reason Laurie Sanders, editor of BVS, asked me to proof manuscripts for her – as I read, errors in those areas catch my attention, as if they jump off the page and smack me on the forehead. I can’t read anything without subconsciously looking for punctuation errors. The ones that make me want to toss my tiara are the punctuation mistakes.

I admit it: I’m a language arts geek. Being an English teacher for fifteen years has contributed to my geekiness, but I have always been fascinated by words and by how we arrange them to tell others about ourselves, about the world around us, and about worlds we create in our heads.

We all have a gift. Mine is understanding how to use the mechanics of English to effectively communicate with others. In other words, I know how to punctuate everything from a simple sentence to a complex dialogue passage. I know how to make subjects agree with verbs and pronouns agree with their antecedents. I know the difference between the verbs lie and lay – that’s a big one!

If I am stumped, I know where to find the answers. I have collected several grammar and usage books over the years. My favorite one right now is Garner’s Modern American Usage. My husband thinks my collection is a sure sign of an addiction; I consider it a sign of being prepared. My English reference shelf groans.

In this article I address APOSTROPHE use because this flying comma – that’s what a student of mine once called this mark – is in danger of becoming extinct if we don’t learn how to use it correctly. Other articles will cover other errors I see often in manuscripts, so visit the BVS Writer’s Blog often.

Let’s begin. There are only two rules for the apostrophe that writers of fiction will use often. Most people seem to understand and follow the rule for using apostrophes to form contractions, so I’ll start with that one.
Rule 1: Use an apostrophe to show where a letter, letters, or numbers have been omitted when forming a contraction.
Examples:

have not = haven’t
cannot = can’t
1974 = ‘74
I will = I’ll
will not = won’t

There are some tricky contractions, though. You must read the complete sentence to grasp their correct meanings. For instance,

He’s already gone to work. He has already gone to work.
He’s the best man for the job. He is the best man for the job.
He’d been late before. He had been late before.
He’d have liked to see her again. He would have liked to see her again.

Then you have homophones. Homophones are words that sound the same, but are spelled differently and have different meanings. Are they confusing? You bet they are! If you remember that possessive pronoun adjectives DO NOT have an apostrophe, but contractions DO have an apostrophe, you’ll be correct every time. Here are the most common homophones that involve an apostrophe.
you’re = you are   –  your = possessive pron. adj. = your bike
they’re = they are   –  their = possessive pron. adj. = their bikes
There = There are three bikes over there.
who’s = who is, who has — whose = possessive pron. adj. = whose bike
it’s = it is, it has – its = possessive pron. adj. = its bike

HINT: If you’re not sure which one of the homophones is correct, try the two words that form the homophone contraction first. For instance,
(You’re, Your) going to be late for class if (you’re, your) locker jams again.
You are going to be late for class if you are locker jams again.
You are going makes sense at the beginning of the sentence, so You’re is correct, but …you are locker doesn’t make sense, so your is correct.

HINT: Remember their needs a noun following it. In fact, all possessive pronoun adjectives and possessive nouns need a noun following it. There doesn’t. Look at this example that illustrates the hint.
Their new bikes are over there.
Bikes
is a noun, and it follows their, so their is correct. You can also ask yourself, “Whose new bikes? Their (possessive pronoun adjective) new bikes.”

The second rule is the one that mystifies many writers. Either they leave the apostrophe out, or they put it where it doesn’t belong or both. This rule is written several ways: Use an apostrophe to show possession, to make nouns possessive, to show ownership. Before I give you examples, I want to show you how German shows possession (translated into English). Look at these examples.

the son of Chris
the shoes for ladies
the book of the children

In English, it would sound very strange if you asked a clerk where the shoes for ladies were instead of where the ladies’ shoes were. Now aren’t you glad English has given us a shortcut – the apostrophe?

Rule 2: Use an apostrophe to show ownership. Here are some examples.
First, Chris’s son – Chris is a singular noun, meaning we are talking about only one Chris. For all singular nouns, even those that end in an s, we add an apostrophe and the letter s to the end of the noun. Here we add an s to Chris to make Chris possessive. Whose son is he? Chris’s son.

When we make proper nouns possessive, there are a few exceptions to this rule.
Jesus’ cross Moses’ tablets Achilles’ heel Archimedes’ principle

You have probably realized that these words are ancient. I suppose words that are thousands of years old should have the right to be different.

Second, ladies’ shoesladies is a plural noun, meaning there is more than one lady. For all plural nouns that end in an s, we simply add an apostrophe. The word ladies ends in an s, so all we do is add an apostrophe. Whose shoes are they? Ladies’ shoes.

Third, the children’s bookchildren is a plural noun, but the word children does not end in an s. For all plural nouns that do not end in an s, we add an apostrophe and the letter s to the end of the plural noun. We add an apostrophe and an s to children to make the word possessive. Whose book is that? The children’s book.

Let’s consider how an apostrophe changes the meaning of sentences to show just how important using them correctly really is. Here are three pictures that illustrate the differences in meaning with and without an apostrophe and where the apostrophe is placed. As much as I love words, a picture is certainly worth a thousand words.

 

I know I said there were only two rules for apostrophes, but before I close this lesson on apostrophes, I feel compelled to add one more rule.

Rule 3: Never use an apostrophe to make a noun plural. I see this mistake often when I proof manuscripts. In English we usually add s or es to a noun to form the plural. Look at these examples - no apostrophes anywhere!!!

one cat - two cats        one box - two boxes            one city - two cities

Note the spelling change in cities.

Irregular nouns are nouns that don’t add s or es to the singular form to make the plural form. Here are some examples of irregular nouns. Still no apostrophes!!!

one child - two children             one woman - two women              one man - two men

Now for homework. You didn’t think I would leave without giving you any, did you?

Directions: find and correct the apostrophe mistakes in the following sentences. Some are tricky, so read the sentence carefully. Check back here next week for the answers.

1.  Its such a shame that my dog hurt its paw.
2.  There are very good reasons for you’re argument supporting animal’s rights.
3.  The boys answers’ were very good, especially Tims and Chris’.
4.  Whose going to they’re first writing conference in June?
5.  Were leaving because your being unfair.

I hope that this information has helped clear up any confusion you might have had concerning apostrophes. If you have an English grammar, usage, or punctuation question, you may leave your question in a comment on my blog at queenofenglish.wordpress.com. I will answer your question in a post within a week. If you need a quicker answer, you may e-mail me at queenofenglish@live.com.

Until the next article,

The Queen of English

PS: if you find an error in punctuation in this article other than the ones in the homework sentences, please e-mail me with the error. I will acknowledge and correct it. Furthermore, I will royally punish myself by curtailing my casual reading of Garner’s book for a week. :-(

Another Great Workshop From FTHRW — This One On Writing Hooks

Posted By lrs979 on January 5, 2010

Every now and then ( when anyone sends them to me with enough time to find them and post them before the deadline) I include links to workshops being sponsored by RWA chapters and other entities here on the blog.

I truly believe that writing is an endeavor which we never really completely learn. There are always new ways to approach old subjects. There are always new ways to do different parts of the writing craft and I believe we’re never too smart or too accomplished to add more tools to our writer’s tool chests.

Check out the following workshop on writing hooks…not just in the beginning of a book…but all the way through…which is being sponsored by FTHRW

Dates: January 10-16, 2010
Instructor: Natalie J. Damschroder
Cost: FREE to FTHRW members; $10.00 for all others
Registration Deadline: January 6, 2010

Course Description:

A lot of emphasis is placed nowadays on The Hook. Whether getting the attention of an editor or agent or engaging the reader, hooks are vitally important. Over the last few years, discussion of this element of craft has evolved from hitting all the important elements in the first five pages to packing it into those first few paragraphs. Now, it’s all about the killer first line. We sweat over it, change it a hundred times, obsessively compare it to the lines in published books. Huge efforts, for maybe 10 words out of 100,000. This workshop addresses that not only that first grab, but the importance of continually barbed pacing, the anatomy of a hook, and how to pay it off, all with the goal of making the reader never want to put that book down.

About the Instructor:

Natalie J. Damschroder started out a single mother whose main goal was independence. After she got that worked out, she became a banker who fell in love with a stripper, then a pregnant woman left with nothing, who ALSO fell in love with a (different) stripper. Since then, she’s been transported to a new dimension that she helped to save twice seduced her favorite actor, had zero-gravity sex on a moon station…oh, and kicked butt as a former NSA operative. And she did all of that in her jammies.

In real life, Natalie has been writing for commercial publication for twelve years. Since publishing her first book with Avid Press in 2000, she has sold seven novels in paperback and e-book, and five novellas and fourteen short stories in e-book, eight of which are also available in a trade paperback collection. She has been a member of RWA since 1996 and has served much of that time on her local chapter’s board of directors. She has also volunteered in many capacities with the national organization. Lucky enough to be writing full time, Natalie now writes romantic adventure and paranormal romantic adventure and plans a dynamic and successful career. Her website can be found at nataliedamschroder.com and she blogs at both nataliedamschroder.blogspot.com and gabwagon.com.

How to register: http://fthrw.com/workshops/classes.php

Fee: FTHRW Members: FREE; FTHRW Non-Members: $10.00

Click here to register before January 6, 2010.
Thank you for your interest in the workshops offered online through From The Heart Romance Writers. Should you have any questions, please email workshops @fthrw. com.

FTHRW Workshops
All workshops are conducted via email. Non-members are welcome to participate in workshops. For more information, e-mail workshops @ fthrw. com. Please use subject header FTHRW WORKSHOP.

Happy Holidays!

Posted By lrs979 on December 25, 2009

I just wanted to drop by to wish everyone a safe and happy holiday!

Best Wishes for a happy holiday and a prosperous 2010!

Think You Have A Blog — You No Longer Need An Author Newsletter — Think Again

Posted By lrs979 on December 22, 2009

You have an author website which you update every month, you have a blog which you update a couple of times a month, you may be thinking that websites and blogs are the new technology that has taken over and made author newsletters obsolete…but think again.

There is still a place for author newsletters. This post at Bookstrap Book Marketing Co-Op gives five good reasons why a newsletter is still a good idea. I agree with the post. I would however go a bit further.

Blogs are great. They provide a kind of interaction with your readership that is fun and allows you to put a face with your readers. Blogs are like a two way conversation where you post and the readers respond. It is a conversation. Newsletters by contrast are more of a one way dialog. They are pushing the message out to the readership rather than waiting for the readership to come to the message.

Blogs are great for search engine ranking. Because you post frequently and you naturally post about the topics related to your book your blog will be indexed for the words that are important within your blog. Over time this raises your search engine ranking for important key phrases — especially long tail search phrases (which are long search terms people search for rather than short search terms. A short tail search term would be erotic romance. A long tail search term would be erotic romance with dominance and submission theme. Over time as you are posting your keyword density for relevant terms builds up and you rank higher in search engine rankings for those keywords or keyword phrases. This allows more people to find you through search engines and exposes you to more readers and other bloggers who might link to your content, which might bring more readers to your blog. Blogs are a great tool for getting yourself found. And they are a great communication tool. But they are not a medium which allows you to consistently deliver a message to a reader who is not particularly looking for it.

However, an author newsletter fills other promotional needs. An author newsletter provides a method of regular contact for those readers who perhaps found your website because they were searching for paranormal romance and you had a post that got ranked high in Google for that search term. They zipped through, read the content they were interested in, maybe even bookmarked your blog, intending to come back. But people are busy. Many of us are so busy dealing with the things that are right in front of us that we do not take the time to visit blogs as often as we intend to…which means some of your messages might be being missed by some of your readers if you take a blog only approach. With a newsletter you can gently remind the reader of your presence, of your blog, of why they wanted to come back to that blog, and why they were interested in that book you were writing.

Blogs are definitely the new technology. They definitely do work on the theory of building community which is a recurring them in the marketing books. Building community, networking, probably is the wave of the future as the marketing gurus say. Authors should definitely have blogs. But that doesn’t mean that it is time to pull the plug on the author newsletter. There is still a place for it in the author’s marketing arsenal.

Huge Growth Reported In Ebook Sales & Readership Base

Posted By lrs979 on December 6, 2009

It has been only a few short years (about 6) since I asked my husband (the computer guru in the Sanders household) what an ebook was. Like podcasts, blogs, social networks and other things in the electronic realm I had run across the term somewhere but hadn’t yet been introduced to ebooks. My how times change!

It wasn’t long after our initial conversation about ebooks that I found the Ellora’s Cave site and began to read ebooks. At that point I was purchasing PDF files and reading them on my desktop computer or printing them off so I could read them elsewhere. I loved the content and was happy to print what I wanted to read away from the computer. It seemed a great trade off…print my own stuff in order to have the kind of content that was not yet available from more mainstream publishers. Not long after that I learned that I could read my PDF files on my palm device…and so I started reading there instead of printing them off. I found more publishers whose books I enjoyed and read more ebooks. Gradually my ebook reading surpassed my paperback reading.

A few years later I received an Ebookwise from my husband for Christmas and was thrilled with the bigger screen and easier page turning that that device allowed over the palm device. Then the Kindle was introduced, and it offered better screen for reading in the bright sunlight. I often read while waiting to pick my niece up from school or my husband up from work, so the better screen was a huge lure and I eventually purchased a Kindle. The Kindle is super. I loved its crystal clear screen and the vast number of books available for it…both from Amazon and from other sites like Fictionwise and All Romance Ebooks.

Most recently I decided that I needed an MP3 player to live in the car. Though I don’t listen to large amounts of music I like audio books and podcasts and being able to listen to those things in the car, while driving around would allow me to harvest about an hour and a half of listening time a day. I invested in the Ipod Touch. I bought it to serve as an MP3 player, but it also functions very well as an ebook reader. With free applications from Barnes & Noble, Fictionwise, Stanza, and Amazon the reader is able to read a wide variety of book formats from a wide variety of sources including my local library. It is small…about the size of a thin calculator…and so is particularly handy to slip into my purse for waits at the dentist or doctor. Since it lives primarily in the car it is always available…and I find myself reading on it about as much as I read on the Kindle.

I don’t think that the transition between print books and ebooks that has happened for me is isolated. It’s happening for a lot of poeple. While a lot of people still enjoy the feel of a paper book there are a growing number of us who while we might like the feel of paper like the benefits of electronic media better. Things like being able to adjust the font size on the Kindle and IPod make reading much more enjoyable and things like being able to download sample chapters of most Kindle books is one of the main reasons that almost all of my book purchases in recent months have been in either audio format or electronic format.

Sales figures would show that I am not alone in my preference for ebooks. According to research for a column that I write for Pop Syndicate Ebook sales for the 2nd quarter of 2008 were $11,600,000. 2nd quarter 2009 sales have more than tripled to $37,600,000.

The figures cited above are similar to those cited in a recent column at Publishing Perspectives which features Lori James talking about the sales of ebooks at her sites All Romance Ebooks and Omnilit.

“Not only are readers spending more on e-books, the e-book reading population is growing, and it’s growing fast. We’ve experienced a 250% increase in our customer base this year,” Lori says.

The increase in readers of ebooks is a positive for authors, especially for authors published by small press ebook publishers who are much less likely to secure their books using DRM (digital rights management) which publishers like and which readers generally don’t like.

One reason that the increases in ebook sales are good for readers is that many readers who switch to ebook readers claim that they are buying more books and are reading more because their electronic library is with them when they are waiting in line, at children’s sports practices, or at the doctor or dentist’s office or because of things like being able to increase the font size to make reading more enjoyable. Amazon also makes impulse buying easy with their free sample feature. As a reader is browsing books they can download free samples of as many books as they want to…when the reader reads the sample and likes it they can purchase the book with one click. Since reading the sample is easy, and requires no expense, it is a great way to increase sales.

Another reason that the increase in ebook sales is good for authors is that most publishers pay authors a much larger royalty on ebooks than on paper books, sometimes as much as 10 times as much on ebooks as on paper books.

While some in the industry used to poo-poo ebooks as being substandard to paper books that is really not the case anymore. There are ebook publishers who publish pretty much whatever comes through their doors, but there are variations in quality in books published by big publishers as well. Readers, more and more are building relationships with the publishers they like, and are using the publisher as the gatekeeper, just as they have for years via traditional publishing models.

Workshop: Warrior-Writer Overview: How To Go From Writer To Author

Posted By lrs979 on November 26, 2009

The Fantasy, Futuristic and Paranormal Special Interest Chapter of RWA Presents: “Warrior-Writer Overview: How to Go from Writer to Author, Creatively and in Business” Led by Best Selling Author and Nationally Known Speaker Bob Mayer November 30, 2009 - December 20, 2009

What: For both fiction and non-fiction authors, a workshop that focuses on educating writers how to be authors. Warrior Writer is a holistic approach encompassing goals, intent, environment, personality, change, courage, communication and leadership that gives the writer a road map to become a successful author. Many writers become focused on either the writing or the business end; Warrior Writer integrates the two. Warrior-Writer fills a critical gap in the publishing industry paradigm. While there are numerous workshops focused on just the writing, this is the only one that focuses on the strategies, tactics and mindset a writer needs to develop in order to be a successful author.

Syllabus
1. Introduction
2. WHAT - Goal-setting
3. WHY - Defining Intent
4. WHERE - Evaluating Environment
5. CHARACTER - Understanding Yourself and Others in the Business
6. CHANGE - Understanding the Three Steps of Change
7. COURAGE - Conquering Fear
8. COMMUNICATE - Effective Oral and Written Communication and Creativity
9. COMMAND - Take Charge of Your Career
10. COMPLETE - Integrate All Nine Elements

Who: NY Times bestselling author Bob Mayer has 40 books published. He has over three million books in print and is in demand as a team-building, life-change, and leadership speaker and consultant. Bob graduated from West Point and served in the military as a Special Forces A-Team leader and a teacher at the JFK Special Warfare Center & School. His latest book is Who Dares Wins: The Green Beret Way to Conquer Fear & Succeed. He teaches novel writing and improving the author via his
Warrior-Writer program. He lives on an island off Seattle. For more information see www.bobmayer.org

Where: This workshop will be conducted via a Yahoo! email loop. Email invitations will be sent 48 hours prior to the beginning of the workshop.

Just register for the workshop and complete the payment process via PayPal. The cost is $10.00 for FFnP members and $25.00 for non-FFnP members.

Register at: http://www.romance-ffp.com/event.cfm?EventID=79 For more information contact: workshops@romance-ffp.com

Happy Thanksgiving!

Posted By lrs979 on November 26, 2009

I wanted to stop by and wish everyone a happy Thanksgiving. I hope that by now those who had holiday dinners around the noon hour have had a chance to eat, clean up, chat with family or to talk to those who are geographically distant.

One of the things that I am thankful for this Thanksgiving is the modern era with all of the modern ways that we have of connecting with loved ones quickly and inexpensively. When I think back on the changes which have occurred in communication even within my lifetime I marvel.  When I first started writing in my teens word processors were just coming into popularity. They were the devices that authors wanted to have. That was well before the personal computer. Back then we still paid for long distance by the minute. People still were in quieted by a long distance call — because it was expensive.

Since then we’ve seen the advent of the personal computer. Dial up modems which used to connect us to online bulletin boards have been replaced by the internet and the ability to connect with each other online.

I expect I am more thankful for the computer and the internet than a lot of people are…simply because I met my husband Orville on the internet and I know we never would have met without the internet. We lived in different geographic areas, had different areas. We would not have had reason to cross paths in “real life.” I’m thankful for the technology that brought us together…though that was still back in the days of AOL and pay by the minute service. We sure had some horrendous AOL bills and phone bills between us back then. :-)

I’m also thankful for the technology that brings readers, writers, publishers together in places like this blog. I’m thankful for all of you who read my words here, who visit the Black Velvet Seductions website and read our books and share your thoughts, feelings and opinions with me here.

These are of course in addition to all the normal things that all of us are thankful for, good health, family, pets, friends, the safety of loved ones serving overseas or who have returned from there.

What about you. What are you thankful for this holiday season?

Harlequin Horizons — Inaccuracy In The Open Letter From EPIC?

Posted By lrs979 on November 26, 2009

A reader of this blog, Mary Robinette Kowal has written to take issue with one section of the open letter from EPIC regarding Harlequin Horizons. I beleive the following paragraph is the section she takes issue with.

Worse, SFWA and RWA have historically removed current paid members, who’ve formerly qualified as published authors with a later-revoked publisher, from membership or from membership perks they’d qualified for, in previous industry dust-ups. Some of those authors never regained the status they were stripped of.

Mary states in her comment on the blog post containing the EPIC letter that the letter contains a false statement. She states that SFWA has never revoked the membership of a dues-paying member because a market lost eligibiltity status with SWFA. She also states that the bylaws are written to avoid that happening.  

I am not a member of SFWA. I have no personal knowledge of SWFA bylaws and so cannot speak to the accuracy of either the open letter from EPIC or Mary’s comments. What I have done is to post both sides here on the blog in the interest of being fair and even handed in alerting everyone to the possibility of the inaccuracy of the open letter from EPIC.

Harlequin Horizons — Less Than Full Disclosure

Posted By lrs979 on November 23, 2009

It has been a busy week in the romance publishing industry. The kind of week that reminds all of us in the industry that change is happening within our industry and will continue to happen no matter how much some of us might wish that things remain the same as they have always been.

There has been a lot written about Harlequin Horizons and RWA and why the Harlequin Horizons business model (and the advertisement of it) is troubling to romance authors and the the organization that represents the interests of romance writers Romance Writers Of America. I agree with most of what has been written. 

While Harlequin has every right to open a vanity publishing company or a self publishing company what they haven’t done is provide full disclosure as to the nature of what they are offering authors. They are in essence, using the trust that they have in the industry to dupe unsuspecting authors into a publishing deal that in all likelihood will not earn the author back the initial investment in printing, let alone the other services that Harlequin Horizons will sell to authors for an additional price. This is particularly true since Harlequin Horizons authors will not enjoy any of Harlequin’s distribution.

I am sure we  would all like to see new voices enter the realm of publishing. I’m sure there are thousands of aspiring authors out there who would just love to have their name on a book…any book. But my advice would be to look carefully before you sign any contract with any publisher.

Make sure that you understand what you are signing. Make sure that if you want your publishing venture to be profitable that you go with a publisher who does offer some distribution channels. Selling books from your own website is difficult as it takes years to build a site with sufficient search engine rank to bring in enough traffic that enough people will buy enough books to make your venture profitable…especially with an initial outlay of $600 for just basic printing.

At Black Velvet Seductions we’ve been building our website and advertising it and working on the optimization of the site for a long time and we still only sell a couple hundred dollars worth of books and ebooks (99% ebooks) off our site. The vast majority of our paper sales come through the distribution channels we have in place (Amazon, Barnes & Noble.com, Books A Million’s site, and others. The vast majority of our ebook sales come through the distribution we have in place with other sites like Fictionwise, BookStrand, Barnes & Noble.com, All Romance Ebooks and others. Most of these channels are not open to a single author with a single title. Most of the established ebook sales channels want authors to have 10 books published before they will list their books. This leaves a self published author with books and no distribution channels, which severely limits the income potential.

I have nothng against Harlequin Horizons other than they have painted a somewhat rosy and pie in the sky picture that I do not see as realistic given my own experience in the publishing industry. I do not have anything against self publishing. It is a venue for some authors. The only one available for some authors. And as long as the authors are informed about what they are getting into I have no particular dog in the hunt.

For more details on the Harlequin Horizons situation you can find some straight forward explanations of this venture and its impacts on authors who write for Harlequin and those who might be tempted to buy into Harlequin Horizon’s vanity publishing deal (advertised as a self publishing deal) at Jackie Kessler’s website. There are three posts there that sum up the arguments very well. Check Out Harlequin Horizons Vs. RWA for a piece by piece explanation of the issues. The Day After Harlequin Blinks will give you even more detail of why Harlequin Horizons is perhaps not the best choice for aspiring authors.  And Answering Your Questions for still more answers to questions about Harlequin Horizons.

Be informed. Know what you are signing. With any publisher. There are some cringe worth clauses out there, and there are some deals that just aren’t set up to profit anyone but the publisher/printer. Be careful.

Harlequin Horizons — Open Letter From EPIC (Electronically Published Internet Connection)

Posted By lrs979 on November 23, 2009

EPIC Open Letter

The Writers Associations vs. Harlequin

The internet is abuzz with news of the backlash in the wake of
Harlequin’s new “Harlequin Horizons” (soon to be renamed)
vanity line. Everyone has their two cents to add; EPIC (Electronically
Published Internet Connection) is no different, though EPIC is in a
unique position in this discussion.

Why is EPIC unique? Because we don’t have a requirement that would
preclude self/subsidy/vanity-published (s/s/v) authors or publishers
from joining EPIC as full members. To be a member of EPIC, you must be a
published author or industry professional…period. We don’t
require books or covers entered in our contests to be from conglomerates
or even from royalty-paying press. Also, we are not a writers’
association “of America” group. EPIC is a global organization
that includes members from around the world from the US and Canada to
the UK, Germany, Australia, India, and farther.

EPIC started in 1997 as a proposed chapter that split from RWA and
formed its own organization. We acknowledged then that RWA was not in a
position to accept the indie/e model and support its e-published
members. In the twelve years since, EPIC and RWA have grown in different
directions.

EPIC embraces all genres of fiction and non-fiction and welcomes
industry members as full members, to include: publishers, cover artists,
editors, agents, and others who work together toward common goals in the
digital publishing age. WAs (Writers of America Associations) are
largely author organizations for the traditionally published (or in
RWA’s case, pre-published authors, as well) and include a limited
range of genres under their umbrellas.

What is EPIC’s “official position” on this matter? The
official position is that Harlequin authors (and Harlequin as a
publisher) were welcomed in EPIC before and continue to be welcomed,
including those of the new Horizons line.

The bylaws of EPIC do not specify that a publisher must be a
traditional, royalty-paying press, and in fact, they specify that
s/s/v-published authors are welcome in EPIC. Our contest guidelines
specify that a book must be released for sale in the English language,
not that it must be from a traditional, royalty-paying press. Further,
the publisher code of ethics instituted by the EPIC publisher coalition
in April of this year does not preclude s/s/v publishers from signing
the code. This code represents what EPIC feels is right and appropriate
when dealing with authors.

If anything in the code would limit the Horizons venture, it would come
down to a couple of key bullets, including:

* Complete disclosure of all terms prior to author signing a contract.
The Horizons site makes claims about s/s/v that imply unrealistic
expectations and ignore the pitfalls of s/s/v. As a large number of
aspiring authors considering s/s/v will not know the pros and cons of
this career choice, full and complete disclosure would include realistic
information about what will likely happen when authors choose to use
s/s/v.

* The publisher will aid authors in marketing their books. No mention is
made of Horizons marketing for the authors, unless the authors pay for a
marketing package.

Further, the code would limit the new Carina line, based on a single
code item, as far as we are able to discern thus far: “contracting for
only such rights to the works of our authors that the publisher
reasonably expects to utilize during the term of the contract”.
According to the Carina team, they will be signing all rights with no
immediate intentions of doing print.

Not adhering to the code would not preclude Harlequin from joining EPIC
or even from competing their books and covers in the EPIC contests, even
those from Horizons and Carina, but it would preclude them from being
listed as a code of ethics publisher.

EPIC does find it troubling that Harlequin chose to lend its name to
“Harlequin Horizons,” their new vanity publishing arm, but not
to Carina, its indie/e-style, traditional royalty-paying press. By doing
so, Harlequin suggests that vanity publishing is more acceptable with
the Harlequin name attached than a traditional e-publisher associated
with the same parent company. This is troubling to anyone with an
interest in e-publishing, which would include EPIC members. At the very
least, one would think both publishing arms would be equals in
Harlequin’s eyes. Harlequin further muddies the subject with its own
statement, indicating their acceptance of the “changing
environment” in publishing.

From a marketing standpoint, one would think Harlequin would, initially
at least, want to distance itself from both lines, as departures from
the norm they excel at, but in light of the existing Luna and Spice
Briefs lines, one would think (of the two new ventures proposed by
Harlequin this month), they would want to associate themselves with
Carina, as a traditional e-publisher.

But what about the problem the industry faces, in general? To appreciate
this situation requires looking at it from two points of view; that of
the WAs and that of Harlequin.

The Harlequin Perspective - A new way forward?

Does Harlequin have the “right” to start up a vanity line? Of
course, they do. Harlequin is a business independent of any and all WAs.
No industry organization should have the power to dictate how Harlequin
should run their multi-billion dollar company. They do not need
permission or blessing from anybody on how they conduct business, EPIC
or otherwise.

In its rebuttal to RWA, Harlequin stated: “It is disappointing that
the RWA has not recognized that publishing models have and will continue
to change. As a leading publisher of women’s fiction in a rapidly
changing environment, Harlequin’s intention is to provide authors access
to all publishing opportunities, traditional or otherwise.”

On this point, EPIC concedes that Harlequin is correct. RWA has not kept
up with the changing face of publishing. Their own members have begged
RWA’s Board of Directors to form committees and research the digital
age of publishing—and they have been denied until this moment, when
they have been forced to do so. RWA has frequently changed its
guidelines to avoid accepting the changing face of royalty-paying press,
in all its forms.

This is one of the core problems with RWA, SFWA, and MWA. A professional
organization must set standards, but changing those standards repeatedly
shows a certain amount of duplicity, and ignoring the changing industry
is worse. As industry organizations, at least staying abreast of new
trends is vital, even if your guidelines remain somewhat stagnant after
your debate on those changes.

The WA Perspective - The status quo?

Does RWA have the “right” to yank Harlequin’s status for
lending their name to a vanity publishing line? YES! RWA’s current
guidelines say that they must revoke Harlequin’s status; therefore,
doing so is the only correct course they can take.

RWA has won the respect of many for following its own guidelines despite
the size, history, and market presence of the publisher, and EPIC
applauds them for it. If Harlequin’s true intent is to funnel
aspiring authors that they reject over to “Harlequin Horizons,”
EPIC understands why RWA would deny Harlequin editors appointments at
National.

EPIC sympathizes with authors affected by this. With Harlequin’s
status revoked, any Harlequin author who has not already submitted for
PAN and authors who might sign contracts with Harlequin are not eligible
for PAN. In future years, under the current guidelines, Harlequin books
would not be eligible to compete in the RITA, no matter which line they
come from.

Worse, SFWA and RWA have historically removed current paid members,
who’ve formerly qualified as published authors with a later-revoked
publisher, from membership or from membership perks they’d qualified
for, in previous industry dust-ups. Some of those authors never regained
the status they were stripped of.

Nevertheless, Harlequin had to realize that putting the Harlequin name
on a vanity line, then sending aspiring authors rejected by Harlequin
not to Carina–which is still traditional though e–but to the
Harlequin’s new vanity line and posting RWA links on the vanity
arm’s webpage would antagonize RWA, whose views on vanity publishing
were well known. In fact, the views of SFWA and MWA are well known.
These moves were not well considered. They made an immediate and
decisive move by the WAs necessary.

Self- and Vanity Publishing…An Apologia

There’s nothing inherently wrong with self/subsidy/vanity. Certain
niche markets and projects lend to it. As long as the presentation
(editing, cover, formatting, etc.) is sound, and the authors know going
in what the pros and cons are, everything is good.

There are good, bad, and ugly examples of publishing everywhere, from
the NY conglomerate’s main lines to indie/e to s/s/v. If an author
chooses to go the final route, it is on him/her to make sure the
presentation and marketing plan are sound. EPIC encourages authors to
make those decisions for themselves, without artificial interference
from the organization about it. We’re here to support our members,
not to make their choices for them in an effort to “protect”
them.

On the other hand, EPIC stands with several editors and authors who have
tossed their rocks at Harlequin over the wording on the Horizons site.
According to Dee Powers’ yearly questionnaire of NY editors and
agents, indie/e is considered a viable resume point for a writer; s/s/v,
at this time, is not, unless you hit the sales jackpot, which is highly
unlikely but admittedly possible. The Horizons site gives the impression
that publication there will not only be respected but also that it will
open the door to not only Harlequin but also other NY conglomerate
publishers and even Hollywood…if you pay enough and work hard enough.
It goes against the grain of full disclosure in the pitfalls and
problems with s/s/v. On that point, I agree with SFWA’s response to
Horizons.

Harlequin’s newest tack is to remove their name from the Horizons
vanity line. If that also includes not funneling rejections from
Harlequin to that line and removing the ads for Horizons from the main
HQ site, it may actually fly with the WAs. Or it may not. SFWA, at
least, has made it clear that they want full disclosure of the pitfalls
and problems of s/s/v included to reinstate Harlequin.

A Final Word from EPIC -

One of EPIC’s missions is to educate authors on all the options
available in publishing and to promote good practice and good business
relations between author and publisher. It’s a brave new world in
publishing circles, and the growing pains are coming to the fore.

Brenna Lyons: EPIC President
Electronically Published Internet Connection
http://www.epicauthors.com